"scene" 1

Scene 1

[King Lear's palace.]

[Enter KENT, GLOUCESTER, and EDMUND]

KENT

I thought the king had more affected the Duke of
Albany than Cornwall.

GLOUCESTER

It did always seem so to us: but now, in the
division of the kingdom, it appears not which of
the dukes he values most; for equalities are so
weighed, that curiosity in neither can make choice
of either's moiety.

KENT

Is not this your son, my lord?

GLOUCESTER

His breeding, sir, hath been at my charge: I have
so often blushed to acknowledge him, that now I am
brazed to it.

KENT

I cannot conceive you.

GLOUCESTER

The Colonel Mulberry Sellers here re-introduced to the public is the same
person who appeared as Eschol Sellers in the first edition of the tale
entitled "The Gilded Age," years ago, and as Beriah Sellers in the
subsequent editions of the same book, and finally as Mulberry Sellers in
the drama played afterward by John T. Raymond.

As authors may be supposed to know better than anyone else what they intended to do when writing a book, I beg leave to say that there is no moral to this story. Rose is not designed for a model girl, and the Sequel was simply written in fulfillment of a promise, hoping to afford some amusement, and perhaps here and there a helpful hint, to other roses getting ready to bloom.

L. M. Alcott
September 1876
 

Chapter 1 COMING HOME

One day it occurred to me that it had been many years
since the world had been afforded the spectacle of a man
adventurous enough to undertake a journey through Europe
on foot. After much thought, I decided that I was
a person fitted to furnish to mankind this spectacle.
So I determined to do it. This was in March, 1878.

I looked about me for the right sort of person to
accompany me in the capacity of agent, and finally
hired a Mr. Harris for this service.

"scene" 1

Scene 1

[Rome. A street.]

[Enter FLAVIUS, MARULLUS, and certain Commoners]

FLAVIUS

Hence! home, you idle creatures get you home:
Is this a holiday? what! know you not,
Being mechanical, you ought not walk
Upon a labouring day without the sign
Of your profession? Speak, what trade art thou?

First Commoner

Why, sir, a carpenter.

MARULLUS

Where is thy leather apron and thy rule?
What dost thou with thy best apparel on?
You, sir, what trade are you?

Second Commoner

Truly, sir, in respect of a fine workman, I am but,
as you would say, a cobbler.

MARULLUS